Children’s Home Featured at Bethel Cultural Center

The view of the Children’s Home near Kwethluk, as seen from the river earlier this summer.
The view of the Children’s Home near Kwethluk, as seen from the river earlier this summer.

A multimedia show on the Moravian Children’s Home near Kwethluk is on display at Bethel’s Cultural Center. The show profiles the demise of the orphanage which was home to many of the regions Native children after epidemics of the early and mid- 20th century and captures oral histories of the people who remember growing up there.

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The show profiles the demise of the orphanage which was home to many of the regions Native children after epidemics of the early and mid- 20th century and captures oral histories of the people who remember growing up there. Leaving Bethel and heading up the Kuskokwim River, we turn into the Kwethluk River and go several past Kwethluk. We pull up to the muddy curving bank below the falling down buildings with peeling paint and broken windows surrounded by chartreuse tundra bursting into summer.

The abandoned Moravian Children’s Home campus has become somewhat of an attraction, with local tour boats and occasional berry pickers stopping by. Dorms, classrooms and a church, served as a home for many of the regions orphaned children between 1926 and 1973. Founded by Moravian missionaries, the home provided care and education to children, most of whom were Alaska Native. Diane Chaney Coffman is one of them. She was here in the 50s.

“I was here twice. The first time my dad was in the National Guard and he got stationed in Texas so they put us here. And then later my mom had TB so they put her in Anchorage in the TB ward. And so my brother and I were here then,” said Coffman.

It’s a story that is all to familiar in the Y-K Delta, children separated from parents because of difficult circumstances, often related to epidemics that swept through the region for years after contact, even into the 1950s.

After the 30 minute boat ride, Coffman steps into one of the old buildings where she spent those early years. She notices things have changed.
“Wow a pool table,” said  Coffman.

Apparently visitors set up a makeshift game room in the abandoned building.

“So we’ve just entered … There’s a lot of broken glass on the floor,” said Eaton.

Clyde Pavil was at the home in the mid-50s when he was 11. He was born in Kongigigok and raised at Clark’s Point in Bristol Bay. His single mother drowned during fishing season he says and that’s how he ended up at Children’s home. He says he got into trouble a lot, which meant spending time at the woodpile.

“Being on the woodpile all the time. Haha. Do something wrong and you get to chop extra blocks of wood. Did you chop a lot of wood? Yeah. That’s why we were good on the baseball field, softball field. Hit a lot of homers,” Pavil.

He spent two years there. He eventually went to live with his sister in Bethel where he went to high school and became an airplane mechanic. He also remembers being quarantined with the measles in a room on second floor of the boys dorm. It was lonely and scary.

Katie Basile, a photographer who grew up in Bethel says she always wanted to know more about the mysterious place she’d grown up visiting.

“It’s kind of a remarkable place. It’s out literally in the middle of nowhere your know you’re driving down the river in your boat and all of the sudden these buildings just rise out from the Alders and it’s very mysterious. And I can remember going there as a kid – I think we camped out there a few times and there was just always something so intriguing and haunting about it,” said Basile.

And Basile’s photographs of the Home do capture that haunting feeling. Everyday things out of place, some destroyed by the elements – others remarkably in tact. A vintage vacuum cleaner photographed in different places around the home now sits outside in a puddle … books on speaking good English and citizenship rest inside a window without mold or dust.

Before we take off Jeff ‘Buffy’ Pavil, Clyde’s son, says he thinks more people should know about the Children’s Home. Hopefully, he says, Basile’s projects brings light to a painful but important chapter of history that’s nearly losts.

“I would say, know where your heritage came from, that who lived up here – listen to what kind of stories they had to say,” said Pavil.

Photographs of the Children’s Home, portraits of former residents and recordings of their oral histories will be on display at the Bethel Cultural Center through the end of August.

Notes: The show will be on display at the Alaska Humanities Forum in Anchorage, which funded the project, in the new year. 

Katie Basile’s multimedia project on the Children’s Home also exists online at www.nunapitsinghak.com. Nunapitsinghak is the Yup’ik name for the land that the Moravian Children’s Home was built on, it means great little land.

Daysha Eaton is a contributor with the Alaska Public Radio Network.

Daysha Eaton holds a B.A. from Evergreen State College, and a M.A. from the University of Southern California. Daysha got her start in radio at Seattle public radio stations, KPLU and KUOW. Before coming to KBBI, she was the News Director at KYUK in Bethel. She has also worked as the Southcentral Reporter for KSKA in Anchorage.

Daysha's work has appeared on NPR's "Morning Edition" and "All Things Considered", PRI's "The World" and "National Native News". She's happy to take assignments, and to get news tips, which are best sent via email.

Daysha became a journalist because she believes in the power of storytelling. Stories connect us and they help us make sense of our world. They shed light on injustice and they comfort us in troubled times. She got into public broadcasting because it seems to fulfill the intention of the 4th Estate and to most effectively apply the freedom of the press granted to us through the Constitution. She feels that public radio has a special way of moving people emotionally through sound, taking them to remote places, introducing them to people they would not otherwise meet and compelling them to think about issues they might ordinarily overlook.

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